615 file audio bebas royalti untuk "Digital Noise"

Recording of a dslr camera using auto focus several times. The camera used was canon eos rebel t5 dslr and was recorded in a lab learning audio booth using blue microphones yeti usb mic. Edits made were removing background noise and amplifying the audio. Http://www. Imaging-resource. Com/prods/canon-t5/zurfrontleft-l. Jpg.

A retro "fire the projectile" sound in an old-school 8-bit video game. Sounds like it should be on an enemy instead of the main player since it's quite dark and hollow. Generated with a periodic 1-bit noise pattern.

This is a sound effect i created using chiptone. You don't need to credit me. You can download this sound effect as needed and use it for any project. You can support me by donating to my ko-fi page here: https://ko-fi. Com/staycalm182.

You can use this sound in any project you want, but please also consider supporting me via patreon (1$) : https://bit. Ly/patreon22.

I took this sample from a phone message. I did use a live feed,(from the headset output on my phone, through a cable into my digital recorder. ) but it is very soft. When i tried recording with out the live feed, i couldn't even find the noise again. It could definitely use to be amped up a bit.

A simple sine-generator piped through a slew of wacky effects automated with randomized lfos. I added some cabinet emulation to give it a 'living room' feel but left it dry enough to add additional stereo/reverb processing. P. S. It loops cleanly. Software: bitwig studio.

This sound is made by my old continuity meter when the contacts are moved around. The clicking sounds similar to that of a more modern geiger counter or dosimeter. I have heard a few over the internet and some of them produce a beeping noise when the max range of radiation level is reached. Please feel free to used this sound. And remember to rate and comment. Thank you.

You can use this sound in any project you want, but please also consider supporting me via patreon (1$) : https://bit. Ly/patreon22.

Casio mt-36 drum hits. A bit quietly and noisily recorded, but my soundcard can't do much better. Amazing analogue(?, some sounds sound like semi-digital) drum hits, sound kinda like sega genesis noises coupled with a roland 808 charm. I think you may find something worth preserving here - i think at least they're very worth preserving.

Experimental grinding and moaning using strega and 0-coast sequenced by 0-ctrl by makenoise. Rendered @48khz 32 bit fp in reaper with markers for all you moaning morphagene fans out there. Stop moaning and enjoy!.

Created from ableton's stock instrument "light key". Created a midi, freezed and flattened, added automation effects added some lfo, some eq re arranged the echo effect to fit what i thought, and just saved it as this.

Laser effect made in labchirp. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2019.

The end result of plugging your tascam dr-05 recorder into the auxiliary output of my chevrolet aveo's car stereo: pure auditory madness!. Feel free to use this sound for whatever projects or pure enjoyment that you see fit. Have a blessed day!.

Sound effect made for games, but can be used for anything. Be creative. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2020.

Results from running randomly-generated neural networks (all weights in neuron connections start random and then slowly drift when generating). Although sample rates used are 44. 1 and 48 khz, sounds pretty lo-fi. The reason could be input compression needed for network to actually work. Each sound channel is an output from two separate neurons in the network. Each sample in this pack is generated by a separate network, as they wasn’t saved anywhere after they produce a thing. Global parameters (output compression, neuron count, drift rate etc. ) aren’t the same from sample to sample, too.

Large industrial refridgerator, electric machine engine noise, field recording,. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a refridgerator in an industry in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Wish you success!kent. Ps. Please comment and rate. .

I made a waveshaper in the js audio language that applies random math operations to the signal. The original signal is liteon's (of reaper forums) lorenz attractor synth, which is then run through the waveshaper, then that signal controls the pitch of a soundwave. Later on i waveshape the resulting soundwave but i don't think it has the best results (dc offset city). A lot of the cooler sounds/series of pitches are made by changing the number of operations on the fly, or shuffling a new set of operations for the waveshaper to use.

My headphones started to screw themselves over while i was going for a walk with them and it started pouring in the middle of my walk. Which made my headphones pretty much unusable and it seemed to make this strange static noise even when turned off. It was actually kinda creepy but i did realise that this would make for a good sound for a videogame or movie that needs static of some kind. It's just too bad my headphones don't work anymore. Feel free to use this sound however you may please, you don't even have to credit me. It would be appreciated if you did though!.

This is an extract of the file sardinia: the original soundscape #2, full vision at https://www. Youtube. Com/watch?v=mu1jwwrjn5w&t=14s. The file was recorded at the evening on an november day in ovodda. Sardinia: the original soundscape is a project that aims to collect and diffusion of the best natural soundscapes of the island. An informative digital path of the sounds that make the music of the sardinian soundscape. Path that intends to put the knowledge of the area through the ear. It is recommended to listen to the files with headphones, in order to preserve the integrity of the file. Antonio lai contacts:laianto. Me@gmail. Com.

Stereo recording of a group of street musicians playing circus style music in paradise circus, birmingham uk. Recorded on a zoom h2 digital recorder in wav format walking past the musicians. Trumpet does some phase effects as the reflected sound from a large building mixes with the direct sound. Recorder was in bag so sounds of movement, and plenty of street noise. Short extract so as not to deprive performers of any rights - this is a field recording of a street soundscape.

A friend sent me an audio file that wasn't supported by windows media player. When opened in audacity, this is what it came out to be (but it was way louder. ) once i converted the original file into mp3, i was able to get the actual file, but i wanted to save this broken one too. The original file was her doing a vocal audition for me, so i posted the broken audio in wav form so no one could take it.

It's a sound that i created with a patch i made in pure-data (my first patch btw). Completely random frequencies in completely random space imaging. Merge with au "fm" sound where the index modulation change randomly, the carrier tone and the modular tone also change randomly. I applied a random delay. . . . So random random!.

Using strike function on the cš-l wavefolder with tempi sequenced by rené passed through struck optomix erbe-verbe and mimeophon. Morphagene running max. Wave folder strike tempo. The secret´s in the erbe-verb marbling. (ratio between size, speed and pre-delay). Splice is morphagene oven-ready with markers set. Enjoy hot!.

Volume 1 of a new series, 5 minute recordings of me doing stuff with a certain effect/synth, or alternatively playing on my keyboard. Sample/modify/use however you want. Made with fl studio 12, edison, and xfer deltamodulator. If you use this in anything, please put it in the comments, me and other people may want to check it out!. .

This sound was created by mistake and i thought it sound perfectly like a bad transmission from radio or spacestation. I´ve cut the audiofile so it is loopable. And as always if you like this sound, feel free to use it for your production. Just give me credit. For individual sounddesign just hit me up. Cheersxdimebagx.

The upload spree continues! this time i've got another sci-fi sound. The title says it all, folks. It can also be used for not only a robot malfunction sound effect, but a machine glitching sound perhaps. I made ti with a corrupt audio file. I got a part of it, and simply pitch shifted it down, and faded it out at the end.

50 claps made in blok modular from scratch. Supposed to sound very unrealistic/dry/drum machine-like as possible so you don't have to sample the real thing. Some of these use asymmetric waveshaping which adds dc offset (0 hz noise) so you may want to highpass the crustier ones. I would've uploaded a zip of the individual hits but because of the way freesound works you'll have to chop it up yourself.

Improv jam created using:teenage engineering po-400 modulararturia drumbrutearturia minibrutekorg m3novation circuit. 115 bpmkey of dm. Cool breakdown part towards the middle that could probably be re-sampled for something else. The batteries in the po400 died towards the end of the recording which caused the loud sweeping sound. Doctor dreamchipportland, orapril 2019.

Electric machine, engine, large air conditioning unit, hum, noise, field recording. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a rather large air conditioning unit in a public parking garage, in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

This is an extract of the file sardinia: the original soundscape #2, full vision at https://youtu. Be/li-mdai0abi. This file (sardinia: the original soundscape #2) includes the sound of the wind, birds, insects, grazing animals, the characteristic soundscape around a small church. The file was recorded at the evening on an november day in olzai. Sardinia: the original soundscape is a project that aims to collect and diffusion of the best natural soundscapes of the island. An informative digital path of the sounds that make the music of the sardinian soundscape. Path that intends to put the knowledge of the area through the ear. It is recommended to listen to the files with headphones, in order to preserve the integrity of the file. Antonio lai contacts:laianto. Me@gmail. Com.

A short clip of distorted, garbled sound, that sounds sort of like a voice. -----------------------------------------------------------------------. This sound, as well as everything else i have upload here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.

Recorded with only a small digital video camera at a cafe in pushkar, india. As i sat by the lake one afternoon, two indians sat down on the ground in front of me and began playing this and singing. There is background cafe noises and the odd motorbike going by and beeps, people talking and its not great quality but, someome may like it. . . It is as natural as you can get, raw sounds of india!(unfortunately, i have no idea what they are saying, id love to know if anyone could translate it?)recorded september, 2012.

Picture yourself being abducted by a highly advanced alien race, you're trapped inside one of their crafts, being far far away from earth at this point, i guess this is a soundscape that reminds me of it, created by experimenting with various free plugins including dtblkfx and thesis2b, both amazing tools on their own, more than capable of giving you glitchy squelchy hi-tech sounds.

Not sure how to describe it, so i'll just describe how i made it. . Micro sampled something in g minor, added tons and tons of lfos to filter modulation, with more filters, and eq and utility, and tons of effect plugins like vinyl, lofi2, saturaters, yeah yeah. . All that stuff.

Alienxxx and i had a little private dare. This is how it sounds when i have mixed the two resulting files. I made a schematic sketch on a simple modular patch. All info was this sketch. The resulting sounds was meant to be 30seconds long and in mono. We both posted our sounds. Alienxxx sound http://freesound. Org/people/alienxxx/sounds/343864/my (gis_sweden) sound https://www. Freesound. Org/people/gis_sweden/sounds/344087/i wanted to mix the sounds as a stage two in this dare. This sound is the result of my mix.

I was just messing around in audacity, like i usually do all the time. I made a corrupt audio file, and i found this extremely weird sound. I got rid of all the white noise, which made it sound even weirder, then i slowed it down and got this sound. You can use this however you want. I'm not sure what it's even meant for, like something being activated, robot beeping, etc. Enjoy. :).

Collection of different human voices introducing original nitrate optical sound effects made for hollywood in the 1930s and 40s as digitized by craig smith. Sound effects extracted, these are mostly only the intro voices except for some small overlaps or tails. Sometimes it cuts off or on in the middle of a word but that's just what was available in the optical soundtracks. I plan to use these for a film but thought it might be fun for others to play with. Splice markers added in reaper, optimized for the make noise morphagene tape and microsound synthesizer, just rename the file to mg1 etc. , morphagene’s file-naming convention (but of course you don’t at all need the morphagene to use these).

This is a recording made in italy in the province of rieti while i filmed everything, as i was returning home, then i left my apartment, then i took the elevator and went to the top floor where i then went up to the roof of my palace, then i took the elevator again and went downstairs out the door and then got into the car. This recording was done with the shure mv88 plus digital stereo microphone connected to my new iphone 12 pro.

Class 52 “western” diesel-hydraulic locomotive, d1015 “western champion”, powered by two maybach md655 units (each developing 1,350 bhp). Recorded at cardiff central railway station, south wales, uk, 27 october 2007. Background station noises are also recorded, “western champion” is heard with the maybachs idling whilst the locomotive is at rest. The change in engine pitch is when “western champion” accelerates away from the station pulling a train of eight coaches. Recorded, hand held, using built-in microphone to a pentax opti 750z digital camera.

Processed version of:https://freesound. Org/people/toiletrolltube/sounds/422056/which is itself a processed version of:https://freesound. Org/people/gis_sweden/sounds/417382/. Signal chain was as follows:1) gate (otherwise the quiet parts would have a lot of digital sounding noise after processing)2) spectral processing (frequency reversing) applied using unfiltered audio's specops vst plugin. 3) reverb4) slight compression. Effects 1), 3) an 4) above were applied using ableton live's built in effects.

Need a linear spectrogram to render the (circular) logo properly,( freesound's spectrogram scale is logarithmic, so image is distorted here. . . Https://cdn. Freesound. Org/displays/651/651015_1015240_spec_l. Jpg). See. . . Https://blog. Freesound. Org/?p=1438&. . . Https://soundlogo. Wikimedia. Org/. The competition specifies mix of at least 2 sounds. . ". . . Your sound logo should comprise at least two overlapping layers, textures, or sounds. "maybe this [cc0] sonification of the logo could be one of them.

Interesting (but painful) sounds made with a zoom h2 (front mics, low gain) connected to a laptop via usb. The signal was piped to old creative sbs250 spekers with 16ms of latency (i'm using jack audio connection kit and linux). That's how my feedback loop came into existance. I turned up the volume and started to move the mics around, geting a lot of different sounds ranginf from simple tones to strange lfoish sounds. The sound touches 0db one times, but is rather undistorted (at least digitally). Recorded with audacity @ 48khz/16-bit and saved as flac.

Pacific tree frogs at night during mating season in british columbia. Slight wind sounds and occasional noises made by a black lab readjusting her feet on the concrete :-). Recording is mostly to the left but sometimes shifts a few degrees to the right, and the frog's build from only a few to dozens over the duration. Captured across the street from a water filled culvert in the southern gulf islands on an olympus ls7 portable digital recorder.

Electro-magnetic interference from a desktop computer, and an at&t; cordless phone handset cl82301 when held near the internal ferrite antenna on the back right of a 13-year-old boombox listening to the am broadcast band. Recorded 2 years ago so i forget where i was listening. Recorded with goldwave from line-in. You hear emi from the computer at first, then i bring the phone on standby near the radio and you hear a series of nearly pure tones. The phone comes on and you hear a distorted dial tone. I move the phone away from the radio for a few seconds and you hear the computer again, then i bring the phone near and you hear a distorted busy signal. I disconnect and the phone continues sending to the base for a few seconds so you just hear a hum, then the idle tones are heard, then the computer noise as i remove the phone.

Electrical server sounds recorded and sampled from field recording. Mastered and edited through daw software, logic pro x. Theme: sci-fi, horror, ambient, scary, dark, drone, metallic and futuristic. Industrial: electric server, noise. Sizzle, machine, machine gear, mechanics, reverb, large room, scary. These sounds were sampled, recorded and mastered through the digital audio workstation (daw), ‘logic pro x’. This pack is a collection of ambient sounds stylised on an industrial soundscape. Sampling equipment is a ‘htc desire’ (phone). For donation purposes, you can buy my other work here ($4) : https://msfx. Bandcamp. Com/. For non-attribution licensing: send me a private message. Made by msfx.

My contribution to the freesouond collaborative performance of gyorgi ligeti's "poème symphonique for 100 metronomes". The metronome is marked "wittner" and "made in w. Germany". It ran for a little over 13 minutes at about 140. 7 bpm. Recorded on the hardwood floor of my bedroom, with the mic in front about 30 cm away. Equipment used: oktava mk102 mic, art digital mpa preamp, m-audio audiophile card. This sample is completely unprocessed. It looks limited or clipped, but i can't hear it - must be from the tube preamp (i had the gain cranked way up). It's pretty quiet, but if you listen carefully you may hear some noises in the background, especially near the beginning where i leave the room.

Sound from pack: "mobile arcade"100% free!200 hq sfx, and loops. Best used for match3, platformer, runners. I sincerely hope that this is a little bit help you to add some fresh sound for mobile or pc game project. All audio samples developed based on reaktor 6 by native instruments. For crystalling clear and unique sound effect, i polished all audio samples in the sony sound forge pro 11. More content you may found on my site: stormgs. Com.

This sound effect is played when the metal steel pinball hits the all three phobia drop targets (reskinned from space drop targets) and you hear this "cock-a-doodle-dooooooooooo!" sound effect. This sound effect can be heard anytime when you hit all three for field multiplier drop targets. Feel free to use this in your pinball game, and one more thing! don't forget to add left and right flippers, plus add left and right rebounds!.

Around 2010, i circuit-bent a motorola cellphone and added a control surface to control the bends. Then i added an atari paddlewheel so its big potentiometer could be used to do pitchbends, and the result is an instrument i called the "sonic electronic ball breaker". It's got knives, quarterstaves, thor's lightning, sharp sticks, nuclear machineshotguns, and even some claws that come out to jab 'em. In this sample i'm going through and playing with the controls to see what i get. These sounds are pretty abrasive, but they work well when run through a bunch of effects.

Shortwave wide-band digital emission recorded on july 15, 2014 at 15:17 utc in am mode using 2 instances of the online remote controllable short-wave receiver located at the amateur radio club etgd at the university of twente the netherlands. Left channel was recorded below the central frequency, at a frequency of 10187khz, right channel was recorded above the central frequency, at 10191khz. This was an experiment to see if selective fading would create stereo effects, as the lower frequency part of the transmission would be heard better in the left channel, and the higher frequency component would be heard better on the right. I used goldwave to put the separate recordings into 2 channels of the same file, after i synched the recordings by ear at 1/16 playback speed using a set of 2 particularly strong lightning static crashes as a guide, trimming off everything that came before the first strike in both original recordings, then inserting silence in the range of a few milliseconds until the stereo separation was as close to zero as i could get it. I wasn't as successful at that as i've been with experiments with voice recordings from simultaneous broadcasts on 2 wavelengths that i haven't posted here.